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野兽男孩

类型:爱情片美国2011

主演:凡妮莎·哈金斯,亚历克斯·帕蒂弗,玛丽-凯特·奥尔森,彼得·克劳斯,尼尔·帕特..

导演:丹尼尔·巴尔兹

安琪云1

剧情介绍

该片改编自阿莱克丝·弗林创作于2007年的同名小说,用惊悚、哥特的外衣包装一段美女与野兽的传奇故事。  故事发生在纽约曼哈顿,英俊人品却很差的富家公子Kyle(亚历克斯·帕蒂弗AlexPettyfer饰)为了嘲弄同学Kendra(玛丽-凯特·奥尔森Mary-KateOlsen饰),把她邀请到自己聚会让她出丑。备受侮辱的Kendra当即给他下了恶咒,把他变成了人见人厌的“怪物野兽”,只有当一个女孩真正发自内心爱上这个他,咒语才会解除。Kyle的父亲见到儿子变成这样冷酷地把他赶到布鲁克林的宅子里软禁了起来,只给他留了衷心的管家和双目失明的家庭教师。正当Kyle认为自己永远也无法解除咒语之际,老天爷机缘巧合让他的同学Linda(瓦妮莎·哈金斯VanessaHudgens饰)住进了他家。Linda会成为Kyle的真爱帮他摆脱诅咒吗?在一个下着倾盆大雨的清晨,看完这部影片,不能不说点什么。
剧情ok,人物ok,内容ok,演员养眼程度ok,一部都是ok的电影,是不是说起来有点平庸呢。
但是很少有周末下雨,可以让我静静的看电影了,
也很少有如此这般的大雨,洗刷我过去痛苦的心灵的了,所以为了这般快活的巧合,我写下文字。
电影和经典童话的内容基本一致,
只不过王子不是变成真的野兽,而是时下流行的纹身控,其实觉得除了那几道深深的伤疤之外,还是挺cool的。
情节有点跳跃,让我觉得爱的有些牵强,也许童话中的内容一到了真实的世界,就会给人这种不真实的感觉吧,也许是我不再相信童话么?
哈金斯的颜很动人,但是也许是歌舞青春给我留下的印象太深了,总觉得她不突然唱一段活着跳一段让我很不适应。但是不得不承认她还是恨漂亮的===不过想提一句,电影的服装师师干什么吃的,怎么能让演员穿自己的衣服上镜的呢,哈金斯童鞋平时街拍里面就是这么穿衣,不至于让我们花钱去电影员继续看她街拍真人秀吧。
特别是男主角跟踪她那段,感觉就是在演她自己,被狗仔跟拍嘛,根本不需要演技的哦~~
相反的是,第一次看到这个男演员的电影,觉得他有些内心戏控制的还是很不错的,特别是在落日余晖中痛苦的感觉,很美~~
电影是青春戏,比较pop,但是幸好有一首小诗,让我爱上了,这样分数不至于太低,这首诗听着男主角念的时候真的好有感觉,虽然他只念了一句左右。
这首诗原先叫做having a cup of coffee with you, 真的想男猪说得可以追女孩的现代诗~~
啊~我醉了~~
having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
Frank O’Hara

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